Reviewed byjjllVote: 9/10
I have to say it is a great one that first shows the meaning and beauty in our life about waiting and promise. Amelia is waiting for her dream to come true for eighteen years, for herself; Navorski's dad was waiting for something he honored so much for his life; and here comes Navorski, who waits for making his father's left dream come true, for fulfilling his promise, for the woman he fell in love, in a "crack" between the US and his own country. He has done everything for others around him. If there is a great example of "egoless", he is one. Letting go ego, is the greatness that even Amelia found out when she gives up and scarifies something most important in her life to help Navorski. This simple story conveys some wonderful philosophy for people living in this country busy around everyday for business, families, and so on, to slow down and reflect on something. As the retired officer said to officer Dixon, there is something we can learn from Navorski.
Reviewed byRighty-Sock (firstname.lastname@example.org)Vote: 8/10
The film begins with a cool look (green and blue), because Spielberg doesn't think of Immigration as a warm place to be for the few minutes it takes to clear a passenger and get him on his way? So all the cool tones are evident until Viktor starts to settle into his new home? He is going to be stuck in New York's JFK airport for an unspecified amount of time? From this moment we see Viktor stuck, trapped, unable to enter United States and that's the fun of this film? Tom Hanks is really so calm, so likable, so emotional, so funny and so real in what he does? Here, he's a very dignified person who is extremely trusting and always full of positive hope? You couldn't insult him if you try? It's very hard to hurt his feelings? He finds the bright side of every angle problem he faces and finds a way for him to live with the situation? He has the virtue of patience, and the testament to hard work, perseverance, and humility? He loves people, and he experiences the culture in an odd way? Hanks plays a Krakozhian capable gentleman whose name is Viktor Navorski who finds himself without a passport and a visa once both are taken from him by the powers-that-be at the terminal, because his visa no longer counts, since his country is no longer in existence, and his passport is no longer valid? Catherine Zeta-Jones brings vulnerability and insecurity to her unhappy character? She plays the gorgeous flight attendant Amalia Warren, a very sensible woman who's always looking for love, trying to find the person that will be her prince? She really wears her emotions on her sleeve and is lonely? She wants some strong relationship in her life? Viktor and Amelia have oceans of things in common and it ends up playing itself out and that's a nice thing to play? The story leaves a lot for reflection, and in some ways, Viktor's stillness allows him to be a mirror for the people working in the airport to meditate on their own lives? "The Terminal" is a charming film? It looks beautifully and elegantly, but realistically?
Reviewed bytfrizzellVote: 5/10
An Eastern European (Tom Hanks) from a fictional country literally gets stuck at JFK Airport in New York after his landing coincides with the point at which a war causes his nation to no longer exist. Thus his paperwork and passport are no good. Hanks is in the U.S. for a mysterious reason and that reason becomes the hook in this wonderful picture. While stuck, Hanks sees more of America than he could have ever imagined. However he constantly has trouble with airport supervisor Stanley Tucci (in a perfect role). Runway worker Diego Luna makes a deal with Hanks so he can learn about passport officer Zoe Saldana (a woman who Luna has loved from afar) via Hanks' attempts to have his passport accepted. Also Hanks meets an elderly Indian janitor (Kumar Pallana) who has been in the states for decades, but the reason he is there also becomes a key point. While all this goes on, Hanks falls in love with 30-something flight attendant Catherine Zeta-Jones (perfectly illuminating and beautiful as usual). Zeta-Jones is sad and disillusioned with men (Michael Nouri of "Flashdance" in particular) and past relationships that have failed for one reason or another. Director Steven Spielberg has never really been known for romantic pictures ("Always" in 1989 is an exception), but he proves that he can definitely handle a production like this. The cast is excellent with Hanks making all those around him better. This story was co-written by Andrew Niccol (even though he strangely did not pen the final script), an under-rated screenwriter who struck gold in 1998 with "The Truman Show". Many of the good things from that script are also presented here in diverse and creative ways. By the way, the art direction/set decoration is amazing as everything within the titled location was built from scratch in a studio. Spielberg was not allowed to film any airports due to obvious security reasons. From top to bottom, "The Terminal" flies high. 4.5 out of 5 stars.
Viktor Navorski, a man from an Eastern European country arrives in New York. However after he left his country war broke out. Suddenly Navorski is a man without a country - or one that the U.S. cannot recognize, thus he is denied entrance to the U.S. However, he also can't be deported so he is told by the Security Manager that he has to remain in the airport until his status can be fixed. And also Navorski doesn't speak English very well, so he cannot talk to or understand anyone. But he somehow adapts and sets up residence in the airport, which makes the man who placed him there unhappy, as it seems he is in line for a promotion but Navroski's presence might complicate that. So he tries to get Navorski to leave but Navorski remains where he is. Navorski makes friends with some of the people who work in the airport and is attracted to a flight attendant he runs into whenever she comes in.