Reviewed bypeterfaureVote: 9/10
So, I didn't expect much from this sequel when it was announced, but since the original 'Blade Runner' is, in my opinion, one of the greatest movies ever made (if not the greatest), I had to see it anyways. As I often do, I didn't read any reviews or watch any trailers before going.
So, where do we start... While not perfect, and inferior to the original, this is still a great movie. Visually it's simply stunning and the actors are all excellent. Just as importantly, or maybe even more so, like the original it combines a slow pace and fantastic ambiance to create an introspective mood and invite reflection on some important themes and issues of our time. (although, maybe, lacking a dialogue with the same power as the Roy Batty monologue at the end of the first movie).
As some negative reviewers said, it is slow..... but that works well with the story and its intent to create a very clear, pervasive mood rather than to dazzle with dumb car chases, gunfights, or explosions,not to mention pushing the viewer to form his own opinions. The boringpart is subjective: for viewers who like to be challenged intellectually I'd say many action movies are a lot more boring. Nothing wrong with escapist movies, which I also enjoy when I'm in the right mood, but it doesn't change the fact that they're inherently much more predictable, superficial and formulaic. In other words, entertaining but intellectually boring.
Regarding Blade Runner 2049, one disappointment, though, to be honest, was the soundtrack: aside from being too loud, it really consists mostly of weird sounds/noises etc. While they do heighten the mood at times, or fit the atmosphere, they are not really not up to the lofty standards of the photography, the action, or the direction.
Also, the plot could have been a little tighter, and while the slow pace is what this movie needed, I'm not convinced it really had to be this long (or to touch on so many themes, as it does).
Still, it's a fantastic, and unique, viewing experience, and even with its imperfections it does create a believable (if gloomy and depressing) dystopian vision of the future, and touches on themes that could spark endless debate and reflection. And herein lies its beauty: shallow popcorn movies will have faded from everybody's memory in weeks. A movie like Blade Runner 2049 will inspire us and challenge us,whether we agree with some of its vision or not, maybe even whether we love it or hate it, for years to come.
Reviewed byFabledGentlemanVote: 7/10
Denis Villeneuve, you magnificent world wonder, you did it again!
I have seen this film three times in the cinema, in 3D, 2D and 4DX.
And one of the things i have noticed with this film, is that it's not the time in the cinema that takes up my time, It's the hours upon hours in between spent thinking about the film, that is the real time consumer. This film left such a deep and profound impact, which i cannot escape. And I've gone back to the cinema twice to be "tortured", but it's worth it.
It's a dark, mysterious, grim, hopeless, sad and lonely film, set in a possible near future where the human race is hanging by their fingertips on the edge of doom. So it's quite depressing. But it's so brilliantly put together, the closest master of cinema i think of that has done something similar, is Stanley Kubrick.
Many Stanley Kubrick films were also "hated" by many when they first released. "2001: A Space Odyssey" for example, which had gorgeous visuals, but felt flat and hollow for many, even professional reviewers back then. But what Kubrick did best with his films, was to create afterthought. People left the cinema feeling confused and even depressed, but the movies planted a seed which then grew for years. The original Blade Runner also accomplished this. BR2049 is no exception, this movie will without doubt live on to be interpreted, analyzed and discussed for decades to come. The story continues from the original, but stands completely on it's own, it tells a new story that directly interlink with the original, but without trying to be a copy, it's a natural continuation in the same universe. You don't have to see the original Blade Runner first, though i do recommend it, see the final cut.
BR2049 has some of the most gorgeous visuals i have ever seen, and the cinematography is out of this world, there is literally no excuse not to give Roger Deakins the Oscar this time. After 13 nominations he has now knocked the ball out of the park and is this year in his own league entirely. It's confusing to look at something so gorgeous, whilst painting a picture of such a sad and lost world. It sort of collides with your senses, your eyes say it's beautiful, your mind say it's depressing. Which senses are you going to believe? What does it mean? At least don't confuse feeling depressed as a sign that this movie is bad, it's nothing wrong feeling depressed, take it in, embrace it. Then you will know how it feels to be a replicant that's trapped in a caged mind.
BR2049's story happens 30 years after the original, and there is three short films on Youtube i recommend you watch. These short films describes some of what happened in between 2019 and 2049. Watching them makes it slightly easier to understand some of the things going on. But the underlying theme is the same as it was in the original. What does it mean to be human? What does it mean to have memories? What is a soul? And so on.
The world has gone darker in 2049, climate is spinning out of control, almost all animals and plants have died. People are desperate and lost, law enforcement can barely keep anything together, and only a small spark can set of total disaster, which is looming just around every corner. Niander Wallace has taken over Tyrell Corp and has by the time 2049 takes place designed millions of obedient replicants that does exactly what he tells them to do. But there is one thing Wallace has not been able to perfect, and that's what the main story is all about, and Wallace will do anything in his power to get his hands on the "technology", which will result in him becoming many hundred times richer and more powerful, the sole ruler of the entire universe. He is so far gone in his mind by 2049 he actually believes he is god himself, and he calls his replicants angels.
And of course he also uses replicants to do his "dirty work". In 2049 we meet his right hand "girl" Luv (Brilliantly played by Sylvia Hoeks, if there is one actor in this movie that steal the show, it's her). Luv is a "handygirl" so to speak, that perform whatever task she is set to do, with no remorse. Or is that entirely true? I can't spoil anything, but look closely at Luv's character arc. All the other actors also do an outstanding job in this film, no bad performances, but i can't talk about all of them due to the word limit in these reviews.
Be prepared going to see this film, it's depressing and heavy on your mind, and it demands your full attention. It's one of those rare films who dares to challenge the audience, and by doing so, taking a huge risk, and a 155 million dollar risk at that. The film isn't perfect, but it's close, and it shows the tremendous skills of Denis Villeneuve. And those few mistakes this movie have, are probably just happy little accidents as Rob Ross would have put it. This film is very much like a painting, every stroke of the brush matters, and every little detail is carefully crafted, it takes monumental skills to pull it of.
I loved this film, it's the best film I've seen all year, It is a must see, a monumental triumph of a film that's just as good (possibly even better) as the original and one of the best sequels of all time!
9.7/10 - Masterpiece
And BTW Villeneuve's next movie might be Dune, imagine if he brings Deakins and the rest of this team to make that movie. Yeah, I'm going to leave you with that thought. This is basically porn.
Reviewed byNikolaos StampoulopoulosVote: 5/10
Blade Runner (1982) was a happy (yet gloomy) accident, involving: a) a young and ambitious director who fought ferociously with studio executives in order for them to let him fulfill his vision; b) a rising blockbuster star who wanted to prove he can also act in a serious movie; c) a crazy Dutch actor who decided to change the script and improvise one of the most memorable monologues in film history; d) a bunch of talented artists who wanted to make a movie that would look and sound different from anything else we had seen before. And most of all, e) a post-Vietnam turbulent era when Hollywood rebels like Coppola, Scorsese and Cimino were audaciously attempting to reinvent the language of cinema, telling stories that mattered and not caring at all about target audiences and marketing trends. As a result, Blade Runner was a box office failure that slowly became a legend, breaking stereotypes like "good guy kills bad guy at the end" and dealing with existential agony on an almost metaphysical level; always within the context of a gritty corporate dystopia in the near future.
Blade Runner 2049 is none of these things. On the contrary, it's the flawed triumph of a next generation of studio executives, who control the creative process by paying millions to the industry's best of the best, providing they will make something that will take advantage of a successful brand name in order to bring profits to shareholders. If there is one word to describe this movie, it's "replicant". Not the kind of replicant who realizes that "all those moments will be lost in time, like tears in rain" as he dies, but a sleek, expensive and obedient skin-job that will try to entertain you and if it succeeds will return as a sequel that will eventually become yet another franchise. I spent 160 minutes of my life watching a pleasant and perfectly constructed piece of nothing, and I didn't care for a moment about any of the characters or a storyline that was designed without the intention to question and redefine a single thing. All its moments have already been lost in my memory, while the original Blade Runner remains vivid in my mind, as if I only saw it yesterday.
Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years.